Brahms: the Man and His Music
The Oxford Experience is a residential summer programme providing one-week courses in a variety of subjects aimed at non-specialists. It offers a choice of seminars each week over a period of six weeks.
The music of Brahms combines a deeply romantic impulse with a mastery of musical structure that harks back to his classical forebears. His pungent melodies and rich harmonies ensure his continuing popularity in the concert hall. In this course we will look at Brahms’s life, from humble beginnings to the fame of his later years in Vienna, studying the great works that he composed in almost every genre.
Seminars meet each weekday morning, 09.15-10.45 and 11.15-12.45, with afternoons free for course-related field trips, individual study or exploring the many beautiful places in and around the city.
Brahms’s early life and career.
Meetings with Reményi, Joachim, Liszt and Schumann.
Piano Concerto No. 1, Op. 15
Variations on a theme of Handel, Op.24
Piano Quartet, Op. 25
Brahms settles in Vienna
Becomes conductor of the Vienna Singakademie.
Magelone-Lieder, Op. 33
Piano Quintet, Op. 34
3 Sacred Choruses for female voices, Op.37
Waltzes for piano duet, Op. 39
Horn trio, Op. 40
String quartet no. 1, Op. 51, no. 1
Ein Deutsches Requiem, Op. 45
Alto Rhapsody, Op. 53
Becomes Director of Vienna Gesellschaft der Musikfreunde.
Symphony No. 1 in C minor, Op. 68
Symphony No. 2 in D major, Op. 73
Violin Concerto in D major, Op.79
Two Rhapsodies, Op. 79
Piano Concerto No. 2, Op. 83
Symphony No. 3 in F major, Op. 90
Symphony No. 4 in E minor, Op. 98
Double Concerto, Op. 102
Meeting with Richard Mühlfeld, clarinettist with the Meiningen orchestra
Clarinet Quintet, Op. 115
The late piano pieces, Opp. 116-119
Death of Clara Schumann
Four serious songs, Op. 121
Eleven Chorale Preludes, Op. 122
Frisch, Walter (Ed.). 2009. Brahms and his World. Princeton.
Kennedy, Michael. 1990. Brahms (Master Musicians series). Music Sales Ltd.
During your course, you will stay in typical Oxford student accommodation at Christ Church in buildings which range from the 18th to the 20th century. Bedrooms are modestly-furnished, do not have air-conditioning and are arranged on a staircase of four or five floors.
The fee £1565 includes a bedroom with private bathroom facilities (shower, washbasin and toilet). Most are single but a few twins are available for couples or those who wish to share with a friend. Those couples wishing to book a twin room should contact us direct firstname.lastname@example.org, as these rooms cannot be booked online.
There are also a few standard rooms available which all have their own washbasin and shaver point but the bath and toilet facilities on each staircase are shared. To apply for one of these rooms please select the ‘Programme Fee (with single standard accommodation and meals)’ option on the application form. Early application for these rooms is essential.
Most standard rooms are single but there are a few ‘twin sets’ (two single rooms opening off a sitting room). If you wish to book a twin set, please contact us direct email@example.com, as these rooms cannot be booked online.
Please indicate your accommodation preferences (either online or on your application form) together with a note of any mobility problems.
We regret that we are unable to offer you accommodation at Christ Church prior to or following your course. Additionally, family or friends who are not enrolled in the programme cannot be accommodated in college.
Programme fee (no accom–incl.lunch and dinner): £1070.00
Programme fee (with single en-suite accom and meals): £1565.00
Programme fee (with single standard accom and meals): £1380.00
Jonathan Darnborough is Director of Studies in Music and Departmental Lecturer in Music at Oxford University Department for Continuing Education. He is a composer and pianist and has worked in continuing education throughout his career.
Jonathan studied piano and composition at Trinity Hall, Cambridge, and the Royal Northern College of Music. He was a prizewinner in the 1992 Franco-Italian Music Competition in Paris and has performed in the USA, France, Holland, Italy and Indonesia. The Boston Globe has described him as having “a compositional voice that was unmistakably his own”. He is currently working on an opera based on Euripides’s Hecuba and writing an online course on musical analysis for Oxford.
He is the author of an online course, Mozart’s The Marriage of Figaro.
Claire-Louise Lucas is a professional mezzo-soprano and a part-time music tutor. She lectures on opera and song for Oxford University Department for Continuing Education. She has lectured on singing in conservatoires and other universities in the UK and the USA.
Claire-Louise has performed extensively throughout Britain, Europe and the USA, including an appearance as a soloist in the Salzburg Easter Festival with Maurizio Pollini and the Berlin Philharmonic Orchestra under Claudio Abbado. Other recent performances include concerts at Gloucester Cathedral; Christ Church Cathedral; Salisbury Cathedral; Southampton University; the Leominster Festival and the Brighton Festival.
There are no assessments for this course.
Online registration closes on Friday, 1 May 2020 but please note that this course may be fully booked very quickly so early registration is recommended.
Terms and conditions
Terms and conditions for applicants and students on this course
Sources of funding
Information on financial support