Italian Renaissance Art c.1400-c.1500 (Online)
From Bellini and Botticelli to tapestry and tableware, the material culture of the Italian Renaissance continues to fascinate us to this day. This course is an opportunity to explore a wide variety of art forms and to discover more about the cultural, social and historical background that made this period so unique.
The Italian Renaissance gave us some of the most popular and powerful works of art ever created. It witnessed the discovery of mathematical perspective, the refinement of different media such as oil painting and fresco, and the development of secular and classical themes, as well as religious subjects. It experienced a varied and invigorating cultural life that included the flourishing of humanism and a renewed interest in the antique world. Strong trade links with Northern Europe and the East encouraged intellectual curiosity and openness. This course explores the works of the most famous artists of the time, together with other, more unusual examples from smaller centres, and a wide range of three-dimensional art objects that decorated the religious spaces and homes of Renaissance Italians. The course is for anyone interested in the art, history and culture of a period that continues to influence and inspire us today.
For information on how the courses work, and a link to our course demonstration site, please click here.
The areas you will cover in this course are:
Unit 1: The Renaissance in Italy
- Masaccio to Mantegna: Introduction
- Introduction to core text
- What do we mean by ‘Italy’?
- What was the Renaissance?
- What do we mean by ‘art’?
- Writing about art
- Vasari and the Lives of the Artists
Unit 2: The Production of Art
- The production of art: introduction
- Workshops: apprentices and masters
- A question of collaboration
- Panel paintings
- The changing role of the artist
- Leonardo da Vinci and the Paragone
Unit 3: Materials and Processes
- Materials and processes: introduction
- Intrinsic value
- Value in technique
- Centres of excellence
- All that glitters
Unit 4: Patronage
- Patronage: introduction
- Foregrounding the donor
- Magnificence and virtue
- Contractual obligations
- Patronage by committee
- A hospital in Siena
- Patronage at court
- Women as patrons
Unit 5: Civic Power: Art on the streets
- Art in the public eye: introduction
- Good government
- Art and politics
- Venetian justice
- Urban planning
- Symbols of power
- Pienza: an ideal city
Unit 6: Institutional Devotion
- Religious art and iconography: introduction
- Devotional rights and wrongs
- The development of the altarpiece
- Iconographic traditions
- Reading Crivelli’s Annunciation
- Sculpted stories: reliefs
- Sculpted stories: figures in the round
- Monastic art
Unit 7: Religious material culture
- The material culture of worship: introduction
- Private devotions
- Copies and ready-made art
- Books of hours
- Miracle paintings
- Religious bodies
- Art for memory’s sake
Unit 8: Art and the Home
- Art and the home: introduction
- Domestic architecture: building the home
- Second assignment
- Reconstructing the interior
- Secular subjects
- Marriages and births
- Home fires: Piero di Cosimo
- Furnishing the study
- Eastern influences on the Italian interior
Unit 9: Art and the Expression of Self
- Appearances and identities: introduction
- Portraits and the antique
- Conversation pieces
- Portraits and dress
- Double portraits
- Feminine ideals
- Art and ethnicity
Unit 10: Contrasts and Comparisons
- Contrasts and comparisons: introduction
- Geography and art
- Beyond the Alps
- Naples and the south
- Transfer of skills
- Doors of bronze: Florence
- Doors of bronze: Rome
- Challenging Florence
We strongly recommend that you try to find a little time each week to engage in the online conversations (at times that are convenient to you) as the forums are an integral, and very rewarding, part of the course and the online learning experience.
To participate in the course you will need to have regular access to the Internet and you will need to buy the following book:
Welch, Evelyn, Art in Renaissance Italy, Oxford, Oxford University Press (2000)
To earn credit (CATS points) for your course you will need to register and pay an additional £10 fee for each course you enrol on. You can do this by ticking the relevant box at the bottom of the enrolment form or when enrolling online. If you do not register when you enrol, you have up until the course start date to register and pay the £10 fee.
For more information on CATS point please click on the link below: http://www.conted.ox.ac.uk/studentsupport/faq/cats.php
Coursework is an integral part of all online courses and everyone enrolled will be expected to do coursework, but only those who have registered for credit will be awarded CATS points for completing work at the required standard. If you are enrolled on the Certificate of Higher Education you need to indicate this on the enrolment form but there is no additional registration fee.
Assignments are not graded but are marked either pass or fail.
All students who successfully complete this course, whether registered for credit or not, are eligible for a Certificate of Completion. Completion consists of submitting both course assignments and actively participating in the course forums. Certificates will be available, online, for those who qualify after the course finishes.
This course is delivered online; to participate you must to be familiar with using a computer for purposes such as sending email and searching the Internet. You will also need regular access to the Internet and a computer meeting our recommended minimum computer specification.
Home/EU Fee: £270.00
Non-EU Fee: £295.00
Take this course for CATS points: £10.00
Emma Rose Barber is an art historian who has been teaching and lecturing for over twenty years. She specialises in the art of the Renaissance: the Italian Renaissance and the northern Renaissance. Latterly, she has become a specialist in medieval art and culture, in particular illuminated manuscripts, as part of her PhD studies. She was the head of the art history department at the British Institute in Florence between 2002-2006. Currently she teaches at the Open University and SOAS as well as the University of Oxford's Department for Continuing Education. She has also recently started a blog called The Shy Churchgoer, dedicated to celebrating the art and history of churches.
This course will enable you to:
- Increase your understanding of Italian art and culture, as well as the social, economic and geographic factors that made this period so unique.
- Improve your ability to express reasoned and critical analyses of works of art using a variety of methods and sources.
- Communicate your own ideas about the art of the period and widen your viewpoint through discussions with other students.
By the end of this course students will be able to understand:
- The social, political and historical factors that gave rise to the flourishing of art in this period.
- The variety of different artistic styles current during the fifteenth century in Italy.
- The significance of so-called decorative art forms.
By the end of this course students will have gained the ability to:
- Evaluate a variety of sources.
- Communicate ideas and join in group discussions.
- Think critically about established historical traditions.
Assessment for this course is based on two written assignments - one short assignment of 500 words due half way through the course and one longer assignment of 1500 words due at the end of the course.
Assignments are not graded but are marked either pass or fail.
Level and demands
FHEQ level 4, 10 weeks, approx 10 hours per week, therefore a total of about 100 study hours.
Terms and conditions
Terms and conditions for applicants and students on this course
Sources of funding
Information on financial support