Dr Claire I R O'Mahony
Having joined the Department for Continuing Education in 2006, I set up the MSt in the History of Design Programme for which I am Course Director. I am a Fellow of Kellogg College and and Associate of the History Faculty. I have served as Admissions Tutor for Kellogg College (2011-3); Director of Graduate Studies for the Department for Continuing Education (2013-16).
Whilst researching my doctorate under the supervision of Professor John House at the Courtauld Institute, Municipality and the Mural: Townhall Decoration in Third Republic France, I began my teaching career at the Courtauld, Birkbeck College, Reading and Thames Valley. My other roles have included of Director of History of Art Lifelong Learning at the University of Bristol (2002-7), Curator for 'Brunel and the Art of Invention' exhibition Bristol City Art Gallery (Brunel 200 project supported by the Heritage Lottery Fund) 2006, Education Officer for Community and Secondary School groups at the Courtauld Gallery and Exhibition researcher at the Richard Green Galleries London, founding Assistant Editor of Art on the Line, Research Grant Coordinator on the Executive Committee of the Design History Society (2004-2008), member of the Centre for the Study of Visual and Literary Cultures in France, University of Bristol (2002-7).
My teaching addresses the history of art and design in modern Europe (1848-1968). I am Course Director of the Master of Studies programme in the History of Design, taught part-time over two years. The programme is described in this vodcast, as well as this talk 'Why Design History?' This vodcast 'Design not Words: Five Suffragette Objects' gives a glimpse of the research into the material cultures of the Suffragette cause undertaken by MSt in the History of Design students since 2011.
At present I am supervising three doctoral projects in Architectural History looking at turn-of-the century luxury hotels in London (Emma Anderson); newsreel cinema design in interwar Britain (Kay Carson) and post-war British social housing 1945-80 (David Beardmore) . I welcome proposals from prospective doctoral candidates seeking to research visual and material cultures and design produced in Europe between 1870 and 1968.
My research centres on the history of decoration in Europe particularly between 1870 and 1968; Third and Fourth Republic France are my primary focus. The relationships between design writing, materiality and the communication of private and public identity led me to a particular interest in the dialogue between Republican politics; aesthetic writing; decorative objects and interiors. Civic mural painting projects; glass, furniture, jewellery and tapestry; exhibition and theatre scenography have been the core case studies of my research. These sites and objects capture debates about regional identity and leftist politics with particular acuity. Fin-de-siècle decoration also affords insight into the sympathies and tensions between pantheistic organicism and natural science. The ways in which 'decoration' has been formulated as a gendered practice and ideological construct informs my investigations into the moral and pragmatic dilemmas between industrial processes and handicraft.
My next project will explore decoration as a manifestation of regionalist political engagement since 1870. The argument focuses on the local creative industries of three borderland environments: glass produced during the annexation and post-1918 recuperation of Alsace-Lorraine; tapestry woven in Aubusson in the central region of the Creuse which became the border between zones during the 1940-4 Occupation and interior design for the international border spaces of transport design and high office in the 1960s. The methodology of the project is to provide an interdisciplinary cultural history of modern France examining how designed objects and environments embodied the Republic through its regions and the contested geo-political and aesthetic borders they represented.
- 'Introduction' and 'Chapter 7 Exhibitions and Display' in A Cultural History of Furniture (six-volume series) editor of modern period volume (Bloomsbury Press, 2019)
Books, Chapters and Articles:
- ‘Renaissance and Resistance: Modern French Tapestry and Collective Craft’ Journal of Modern Craft, 9.3, (Nov 2016) 265-88
- 'Urbi et orbi': Decentralization and Design in Nancy's International Exposition of Eastern France 1909' chapter in volume edited by Dr Marta Filipova Culture of Exhibitions 1840-1940: Great Exhibitions at the Margins (Ashgate, 2015)
- 'War within the walls: Conflict and Citizenship in the Murals of the Hotel de Ville, Paris' Journal of War and Culture Studies, 6.1, (February, 2013) 6-23
- ‘The colony within: Cultural regeneration and the troubadours of Toulouse’s Capitole’ in K Griffiths and D Evans, eds., Institutions and Power in Nineteenth-century French Literature and Culture (SDN with Rodopi Press, 2011)
- 'Cubist Chameleons: André Mare, the camoufleurs, and the canons of art history’ Journal of War and Culture Studies, 3.1, (March, 2010) 11-35
- 'Subjective Objects' and 'René Lalique and the subjectification of the jewel' in O'Mahony, C, ed., Symbolist Objects: Materiality and Subjectivity at the Fin de siècle (High Wycombe: Rivendale Press, 2009) 8-13; 293-328
- 'Fin-de-siècle fantasy to the Western Front: The aesthetic gardens of Nancy', Garden History, 36.2, (November, 2008) 253-72
'La Maison d’un artiste: The Goncourts, the bibelot and fin-de-siècle interiority', Writers’ Houses and the Making of Memory, Harald Hendrix, ed. (London: Routledge, 2007) 187-202
'Special Issue Editor’s Introduction' and article '"Ma racine est au fond des bois": Gallé and Wood', Émile Gallé and La Loraine Artiste, special issue Art on the Line, 3, (2007) i-iv; 1-15
Brunel and the Art of Invention (Bristol: Sansom and Co, 2006) in conjunction with exhibition held Bristol City Museum and Art Gallery, 15 April-18 June 2006
'The Function of Ornament: The Consolation of Design in the Industrial Age', Isambard Kingdom Brunel: In Love with the Impossible, Andrew Kelly, ed. (Bristol: Bristol Cultural Development Partnership, 2006)
'Modern Muses: representing the life model in fin-de-siècle France' Art on the Line, 1, (2003)
- 'Bletchley, Cultural History and Creative Industry' Symposium 9 June 2017 Kellogg College
- Design History Society Annual Conference 'Design for War and Peace' 4-6 September 2014 Department for Continuing Education (see Virtual Proceedings - films of 3 keynote lectures and 37 podcasts of academic papers)
- 'Revisiting the Rite' conference 2013 held at Kellogg College
- Mid-Century Modernism conference 2012 held at Kellogg College
Films of Public Lectures
- 14 December 2018 'Design not Words: Five Suffragette Objects' Kellogg College 1918-2018 Women in Public Life Centenary vodcasts
- Mo Mo Wo Women's Creativity since the Modern Movement 1918-2018 EU Project Keynote Lecture 'Penelope in the Dark Years: Modern French Tapestry'
- Rewley House Research Seminar 'Out of Chaos: cultural creativity amidst conflict' 2014
- Open Day lecture 2018 'Why Design History?'; 1878 and beyond: Paris Expositions; 2013 'Gustav Klimt and Secessionist Vienna'
'Godmother' of the Olympe de Gouges tapestry project, Cercle de la Tapisserie d'Aubusson
Oxford University Student Union Nomination for Outstanding Tutor 2014
Oxford University Student Union 'Most Acclaimed Lecturer Teaching Award' 2013
Pasold Fund Research Activity Grant in support of research into tapestry design for public buildings and ocean liners in Le Havre, Aubusson and Paris (2017).
Women in the Humanities Research Grant in support research trip to France exploring women's role in the modern tapestry revival (2015).
John Fell Fund grant in support of 'Design for War and Peace' 2014 Design History Society Conference and ensuing publication (2014).
Design History Society Research Conference Grants to support 'Revisiting the Rite' conference 2013 and Mid-Century Modernism conference 2012 both held at Kellogg College.