Part of the stunning experience in entering a medieval cathedral is the impact of the colour and images in stained glass. We will examine the relationship between architecture and the design of this glass from the medieval period to the continuing addition of work by modern glass artists.
The design of glass responded to the development of the delicate stonework of window tracery. Early glass, such as that of the twelfth century in Canterbury Cathedral, was in place even before tracery was introduced. We will trace how medieval glass developed toward the ultimate achievement of York Minster's Great East Window in the fifteenth century. The work of designers and workshops producing glass in the nineteenth century was crucial to the replacement of glass lost to iconoclasts, and we will go on to examine how modern glass is playing its part – both in the medieval cathedrals and in the new cathedrals of the modern age.
The course will include a visit to Christ Church Cathedral in Oxford to view its remarkable range of glass from different periods.