In the eleventh century there was a building boom across western Europe. The Romanesque style spread and transformed cities and monasteries. Large and imposing stone churches multiplied and became destinations for pilgrimage and devotion, as well as stages for political and social changes. In southern Italy this coincided with the Norman conquest and the first crusade, two events which shook society. In this course we will explore the art and architecture of mainland southern Italy, looking mainly at architecture, stone sculpture and carved ivories, but also touching on bronzes and manuscripts. Monuments such as the abbey of Montecassino, the cathedral of Salerno and the basilica of St Nicholas in Bari are some of the most enigmatic and intriguing works of Italian art history.
Over ten weeks, we will explore the answers to the following questions:
How did artists respond to the political upheaval of the Norman conquest?
What was the artistic relationship between southern and northern Italy?
How did artists and patrons respond to Italy’s classical heritage?
In what ways did southern Italian art absorb influences from around the Mediterranean?
To what extent can southern Italian art and architecture be considered part of the international Romanesque style?