There are few novelists as famous as Jane Austen (1775-1817). The enduring popularity of her six major works has seen her characters spill out from the page onto stage and screen - both TV and film - again and again. Her protagonists have been portrayed by such big screen names as Gwyneth Paltrow, Kate Winslet, Colin Firth and Ewan McGregor to name just a few. Even Lawrence Olivier has played Mr Darcy on screen. The sheer bulk of literary scholarship on her work is beyond impressive. Bumper stickers with 'I'd rather be reading Jane Austen' testify to her ubiquitous presence in popular culture. Sequels and homages to her work continue.
Yet she lived quietly and fairly comfortably more than two hundred years ago and wrote four of her famous works in an intense period of just five years. She enjoyed a small measure of celebrity – enough for the Prince Regent to request (via his librarian) that she dedicate Emma to him in glorification of his name. She was proud of her status as a professional author especially since money was tight after the death of her father, and financial instability was a feature of her family life. But what was it about Austen's writing that distinguished her from her predecessors? What did she do with the new literary form of the novel that was so groundbreaking?
In this course, we delve into all six of the major works of Jane Austen whilst focusing in more detail on Northanger Abbey (1817), Emma (1815), and Persuasion (1817). We consider how Jane Austen so innovatively developed the new literary form of the novel building on a practice of authorial experimentation exhibited by earlier eighteenth-century novelists. We analyse extracts from the texts using emerging characteristics of the novel form such as narrative technique, characterisation and the referencing of other literary genres. We explore how she used the medium to engage with contemporary, social, cultural and philosophical discourses on, for example, the changing social order, power relations in the domestic sphere, the acquisition and deployment of knowledge, and the cultural and philosophical shift from rationalist (Enlightenment) tenets to Romanticism during the period. We also reflect on her life and times to give context and briefly survey her phenomenal and enduring legacy in academic studies and in popular culture.