This enduringly popular genre continues to captivate – and sell. Why do we think this is? What is it about the fusion between a psychological novel and a thriller that can create such compelling, and often unsettling novels? What techniques do authors use to produce a successful one?
Over the course of ten weeks, we will offer some answers to these questions and examine the mechanics of the genre alongside the elements of fiction which comprise it. There will be the opportunity to workshop novels in progress. The course is aimed at those wishing to develop and finish their psychological novel, as well as those wishing to begin one and we will approach everyone's work with enthusiasm and care.
There are no set texts but we will focus on, although not be limited to, works written by and about women:
- Rebecca (1938), Daphne Du Maurier
- The Talented Mr Ripley (1955), Patricia Highsmith
- The Secret History (1992), Donna Tartt
- Alias Grace (1996), Margaret Atwood
- Notes on a Scandal (2003), Zoe Heller
- We Need to Talk About Kevin (2003), Lionel Shriver
- The Little Stranger (2009), Sarah Waters
- The Little House (2010), Philippa Gregory
- Lie With Me (2016), Sabine Durrant