The humblest of objects tells a glorious tale
Domestic tableware provides fascinating stories about the historical experience of making, choosing, cherishing everyday objects. Two plates made in Victorian Staffordshire tell us tales of creativity, industry, international trade, good housekeeping and young love, revealed by researching the history of design.
About the speaker
Claire O’Mahony, PhD joined the Department for Continuing Education in 2006, where she founded and directs the MSt in the History of Design. Claire is an Associate Professor in History of Art and Design, an Associate of the History Faculty and a Slade Elector for the University.
Her teaching and research explores how we understand materials sensorially, historically and ecologically, as well as examining how the design and craft of making everyday objects and environments embodied local and transnational identities, politics and ethics between 1870 and 1968.
- Periodicals and newspapers: The Art Journal; Birmingham Daily Post; The New York Herald; La construction moderne. Available through The British Library.
- Jewitt, L. Frederick William (1883). The ceramic art of Great Britain. New ed., rev. London: J.S. Virtue. Available through the Hathi Trust.
- Lees-Maffei, G., (2009). 'The Production-Consumption-Mediation Paradigm'. Journal of Design History, 22(4), pp. 351-376.